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Savely Yefremov
Savely Yefremov

The Complete Kano Jiu Jitsu Pdf


There are many old methods of traditional resuscitation that can also assist the victim in recovery. If the outcome is less than desirable these interventions may not be defensible in U.S. courts. They have generally been replaced by CPR which is based on more modern medical knowledge. Among sports coaches and medical professionals in the U.S., CPR is commonly recognized as the appropriate response to a medical emergency. Nevertheless the traditional forms of resuscitation are considered advanced techniques of Judo and instructors may wish to study them to complete their training for historical purposes or for use in special circumstances.




The complete kano jiu jitsu pdf



Brazilian jiu-jitsu (BJJ; Portuguese: jiu-jitsu brasileiro [ʒiw ˈʒitsu bɾaziˈlejɾu, ʒu -]) is a self-defence martial art and combat sport based on grappling, ground fighting, and submission holds. BJJ approaches self-defense by emphasizing taking an opponent to the ground, gaining a dominant position, and using a number of techniques to force them into submission via joint locks or chokeholds.


Brazilian jiu-jitsu was initially developed in 1925 by Brazilian brothers Carlos, Oswaldo, Gastão Jr., George, and Hélio Gracie, after Carlos was taught jiu-jitsu by a travelling Japanese judoka, Mitsuyo Maeda who himself mastered his ground fighting while interacting with Taro Miyake (Tanabe student), Sadakazu Uyenishi (Handa, Tanabe) and Yukio Tani (Tenjin Shinyo-ryu) and catch wrestlers in Europe. Later on, the Gracie family developed their own self-defense system, and published Gracie Jiu-Jitsu.


BJJ eventually came to be its own defined combat sport through the innovations, practices, and adaptation of Gracie jiu-jitsu and Judo, and became an essential martial art for modern MMA. Governing bodies such as the IBJJF work worldwide, and set the rules and standards to be held in sport BJJ competitions.


Although the Gracie family is typically recognized as the main family to first promote Brazilian jiu-jitsu as it is known today, there was also another prominent lineage derived from Maeda via another Brazilian disciple, Luiz França.[13] This discipline was taught to Italian legend of the sport Marco Donello who later on passed his extensive knowledge to Mark McDonnell (his Australian nephew). This lineage had been represented particularly by Oswaldo Fadda. Fadda and his students were famous for defeating the Gracies in a gym battle and the influential use of footlocks,[14] and the lineage still survives through Fadda's links in teams such as Nova União and Grappling Fight Team (GF Team).[15]


When Maeda left Japan, judo was still often referred to as "Kano jiu-jitsu",[16] or, even more generically, simply as jiu-jitsu.[17][18] Higashi, the co-author of The Complete Kano Jiu-Jitsu (Judo)[16] wrote in the foreword:


Some confusion has arisen over the employment of the term 'jiudo'. To make the matter clear I will state that jiudo is the term selected by Professor Kano as describing his system more accurately than jiu-jitsu does. Professor Kano is one of the leading educators of Japan, and it is natural that he should cast about for the technical word that would most accurately describe his system. But the Japanese people generally still cling to the more popular nomenclature and call it jiu-jitsu.[16]


Outside Japan, however, this distinction was noted even less. Thus, when Maeda and Satake arrived in Brazil in 1914, every newspaper announced their art as being "jiu-jitsu", despite both men being Kodokan judoka.


It was not until 1925 that the Japanese government itself officially mandated that the correct name for the martial art taught in the Japanese public schools should be "judo" rather than "jujutsu".[19] In Brazil, the art is still called "jiu-jitsu". When the Gracies went to the United States and spread jiu-jitsu, they used the terms "Gracie jiu-jitsu" and non-Gracies using the term "Brazilian jiu-jitsu" to differentiate from the already present styles using similar-sounding names. In a 1994 interview with Yoshinori Nishi, Hélio Gracie said that he did not even know the word Judo itself until the sport came in the 1950s to Brazil, because he heard that Mitsuyo Maeda called his style "jiu-jitsu".


The art is sometimes referred to as Gracie jiu-jitsu (GJJ), a name trademarked by Rorion Gracie, but after a legal dispute with his cousin Carley Gracie, his trademark to the name was voided.[20] Other members of the Gracie family often call their style by personalized names, such as Ceaser Gracie Jiu-Jitsu or Renzo Gracie Jiu-Jitsu, and similarly, the Machado family call their style Machado Jiu-Jitsu (MJJ). While each style and its instructors have their own unique aspects, they are all basic variations of Brazilian jiu-jitsu. There are currently four major BJJ branches in Brazil: Gracie Humaita, Gracie Barra, Carlson Gracie Jiu-Jitsu, and Alliance Jiu Jitsu. Each branch traces its roots back to Mitsuyo Maeda.


Certain changes were made to the rules of sport judo after judo was introduced to Brazil. Some of these rule changes sought to enhance it as a spectator sport, and others aimed to improve safety. Several of these rule changes de-emphasized the groundwork aspects of judo, and others have reduced the range of joint locks application. Brazilian jiu-jitsu did not follow these changes to judo rules, and this divergence gave BJJ a distinct identity as a ground focused grappling art, this difference was later consolidated with the creation of a new set of rules that guide BJJ practice today.[25]


BJJ also allows heelhooks and knee-reaping which are prohibited in Judo, and any takedowns used in wrestling, sambo, or other grappling arts, including direct attempts to take down by touching the legs or dragging the opponent to the ground.[26] Spinal locks and cervical locks are not allowed in gi jiu-jitsu,[25] amateur MMA,[27] multiple forms of no-gi jiu-jitsu,[25] Judo,[28] and other martial arts,[29] due to potential to cause serious bodily injury. BJJ also has become more "sports-oriented" in recent years, prohibiting techniques such as slams.[30] Another divergence of BJJ from Judo and Jujutsu is that the first allows no-gi practice and competition, with its own subset of rules. Use of holds and takedowns from wrestling and other grappling styles is common in no-gi BJJ, and strikes may also be used when the competition rules permit, such as the open palm strike in CJJ (Combat jiu-jitsu).[31]


In 1972, Carley Gracie moved to the United States to teach jiu-jitsu, and in 1978 was followed by Rorion Gracie, who co-founded the Ultimate Fighting Championship (UFC) in 1993.[32][33] Jiu-jitsu came to international prominence in martial arts circles when Brazilian jiu-jitsu expert Royce Gracie won the first, second and fourth Ultimate Fighting Championships, which at the time were single elimination martial arts tournaments. Royce fought successfully against several larger opponents proficient in other fighting styles, including boxing, shoot-fighting, muay thai, karate, wrestling, and taekwondo. BJJ has since become an elementary aspect of MMA, revealing the importance of ground fighting in a fight. Sport BJJ tournaments continue to grow in popularity and have given rise to no-gi submission grappling tournaments, such as the ADCC Submission Wrestling World Championship and NAGA, the North American Grappling Association. Sport BJJ has also become a popular method of fitness around the world in recent years.[34][35]


Brazilian jiu-jitsu focuses on getting an opponent to the ground in order to neutralize possible strength or size advantages through ground fighting techniques and submission holds involving joint-locks and chokeholds. On the ground, physical strength can be offset or enhanced through proper grappling techniques.


When taking the back mount position (often known in Brazilian jiu-jitsu as the back grab or attacking the back), the practitioner attaches to the back of the opponent by wrapping his legs around and hooking the opponent's thighs with their heel,[25] or locking in a body triangle by crossing one shin across the waist like a belt then placing the back of the opposing knee over the instep as if finishing a triangle choke. Simultaneously, the upper body is controlled by wrapping the arms around the chest or neck of the opponent. This position is often used to apply chokeholds, as well as arm bars and triangles, and neutralizes an opponent's potential size or strength advantage.


The Brazilian jiu-jitsu practitioner's uniform commonly referred to as gi or kimono is similar to a judogi, but with slight differences in the dimensions and often made of lighter material with tighter cuffs on the pants and jacket. This allows the practitioner to benefit from a closer fit, providing less material for an opponent to manipulate. Traditionally, to be promoted in Brazilian jiu-jitsu, the wearing of the Jiu-Jitsu gi while training is a requirement. Recently with the growing popularity of "no-gi" Brazilian Jiu-Jitsu the practice of giving out belts to no-gi practitioners (e.g., Rolles Gracie awarding Rashad Evans a black belt) has become more common.


There are certain differences between gi jiu-jitsu and "no-gi" jiu-jitsu. In gi jiu-jitsu one can grip an opponent's uniform, using it to submit or advance position. There are a number of submissions that are specific to the gi, such as the "Loop choke", "Collar choke", and others. A specific set of rules to guide no-gi competitions is issued by the IBJJF, but there may be variation in the set of rules applied in each competition. By IBJJF rules uniform grips are not permitted in "no-gi" jiu-jitsu.[25]


The Brazilian jiu-jitsu ranking system awards a practitioner different coloured belts to signify increasing levels of technical knowledge and practical skill. While the system's structure shares its origins with the judo ranking system and the origins of all coloured belts, it now contains many of its own unique aspects and themes. Some of these differences are relatively minor, such as the division between youth and adult belts and the stripe/degree system. Others are quite distinct and have become synonymous with the art, such as a marked informality in promotional criteria, including as a focus on a competitive demonstration of skill, and a conservative approach to promotion in general.[46][47]


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